This “Proposal” can’t be refused
In The Proposal, Sandra Bullock’s new romantic comedy, the star of Speed and Miss Congeniality plays a successful NYC editor whose visa has expired and, if she cannot convince her browbeaten assistant to marry her and thereby give her the gift of citizenship, will be about as welcome here as a taxman at the Rochesterfest Million Dollar Hole-in-One Shootout.
The moment Margaret Tate (Bullock) is spotted entering the office her minions take to their keyboards pecking heads-up IMs to each other like “the broom has landed.” But Karma catches-up to the take-no-prisoners executive one afternoon when she faces deportation back to Canada. Thinking quickly, she ropes her unappreciated adjunct and soon-to-be anchor-spouse Andrew Paxton (Adventureland’s Ryan Reynolds) who has just once condition: that she publish his manuscript and promote him to editor.
There’s just one problem. The government agent in charge of the case suspects the union is a sham and the two have just one weekend to get to know each other and pass the immigration interview. Conveniently, it’s the weekend Ryan is traveling to Alaska for his grandmother’s 90th birthday and while there, his mother has a great idea: “Why not get married right here and now?”
The critics were not kind to The Proposal, perhaps because it is as predictable as it is cute. But the plot of a NASCAR race is pretty predictable too (uhhmm, the cars just go around in a circle) and fans still flock to them. And flock to The Proposal they did, sending it to the top of the weekend box office chart besting current blockbusters like The Hangover and Up while pushing aside fellow debutante Year One, the disappointing comedy starring Jack Black and Michael Cera.
Bullock and Reynolds are always bankably charming, and Mary Steenburgen and Craig T. Nelson, as Andrew’s parents, make for an interesting team. But the film relies (maybe too much) on Grandma Annie and local phenom “Ramone” for most of its laughs and sometimes the gags are strained if not embarrassing. For example, Annie (Betty White) is an Earth worshipper and during one of her forest chants, Bullock joins in with her flav of Lil Jon’s “Get Low” which is funny if you can buy a 45-year-old white woman crunking. And after the exotic dance by Ramone (The Office’s Oscar Nunez) you’ll wish there were more “traditional” comedy scenes like the one where a bald eagle snatches the family’s little pooch. There aren’t.
Still, as a date-film, this proposal can’t be refused.
2 Honks
MPAA Rating: PG-13 for sexual content, nudity and language.
http://movies.yahoo.com/movie/1810012112/trailer
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